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The 'Skimmel' of the Film: The haptic, the lively and the discrete in the animated films of Bent Barfod

19. sep 2024. Bent Barfod (1920-2007) was a leading figure in Danish animation. His studio, Bent Barfod Film, trained at least two generations of animators and Barfod himself sustained a long career as a filmmaker…

Maren’s smile: Miracles of the everyday in Carl Theodor Dreyer’s Ordet

07. jun 2022. The most miraculous moment in Danish film history, the resurrection scene in Carl Th. Dreyer’s 'Ordet', invites us to reconsider the sense of wonder which animates the director’s film making.

Rapport: Skandinaviske adaptationer og remakes i perioden 1990-2012

13. sep 2013. Denne rapport er en videnssamling om adaptioner og remakes i Skandinavien. I rapporten redegøres der for danske, svenske og norske film og tv-produktioner med litterært forlæg i perioden 1990-2012,…

Walking in Copenhagen, Hamburg and Oslo – Planned and Lived Space in Jørgen Roos' Early-60's City Symphonies

21. sep 2018. In the wake of an Oscar nomination for his 1960 short 'A City Called Copenhagen', Danish documentarist Jørgen Roos accepted invitations to make similar films from the city authorities of Hamburg and…

The Not-So-Golden Age of Swedish Silent Cinema? Historiographies of Isepa (1926–1928)

21. okt 2020. PEER REVIEWED. Isepa AB was a short-lived subsidiary to Svensk Filmindustri set up in 1926 to produce a series of internationally co-produced films with a cosmopolitan appeal, all for the purpose of…

Men Who Hate Women – Sex, Evil, and European fin-de-siècle Culture in Lars von Trier’s Antichrist

26. okt 2022. LONG READ. This article analyses how Lars von Trier’s film uses the theme of sexuality and connects to European fin-de-siècle misogyny and dominating culture icons such as Nietzsche, Ibsen,…